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    <loc>http://www.coleswanson.org/work</loc>
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    <lastmod>2025-12-29</lastmod>
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      <image:title>Work</image:title>
      <image:caption>Image courtesy of Dean Palmer Photography</image:caption>
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      <image:title>Work</image:title>
      <image:caption>This large-scale installation artwork is a reference to the pre-modern belief that honeybees were spontaneously generated from cattle bodies in a vicious ritual called ‘bougonia.’ The literal and symbolic act of killing and burying cattle to repopulate mass honeybee losses appears throughout the ages in countries across Africa, Europe, and Asia. These ideas resonate in the present as we encounter similar anxieties around dwindling bee populations and unethical animal husbandry practices in industrial farming.    </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1508637124919-71FPEDTDU9O4ZCWH0GN5/M11.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Sacred Bone, latex paint on glass, Unilever Detergent Factory, 2017.  Believed by ancient Greeks and Romans to be the seat of the soul, the sacrum has been fashioned as an icon for the exhibition, a window through which the world outside of the factory can be contemplated. The city skyline, public infrastructure, industrial architecture, and spartan wild growth can be viewed through different sections of the installation. The work offers a counterpoint to the interior space of the factory in which cattle byproducts were processed to create the detergent soap exported by the Unilever company.  Image courtesy of Sandra Osonjik, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221739368-JW941SZ8DUYW62BPWSCA/Roadside+Monument+-+Portage+La+Prairie.jpg</image:loc>
      <image:title>Work - Portage La Prairie</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 7"  2011</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382215797806-3UU41TGQ6XH60Q9DOEHF/012.jpg</image:loc>
      <image:title>Work - Parliamentary Cats Pressed Pennies (detail)</image:title>
      <image:caption>Custom die zinc pressed penny 2011  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1475468501135-9WCD8OK4N87FL2XZYTO5/K4.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1509682856640-6HMSFA7JVYYH8O0WSSDE/Alv+4+-+300dpi.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Alvearium II (Detail), 2017.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1409688148989-J0X75Q90KVE5XUSO9G7T/RE01.jpg</image:loc>
      <image:title>Work - Red Earth</image:title>
      <image:caption>Red Earth is a large scale installation that celebrates the history and materiality of Jaipur's longstanding engagement with earth-based handicrafts. An expression of the Indian region's visual identity, earthenware forms serve countless functions for the city's residents. Once expired, terracotta is discarded to the streets without bestowing upon the earth the ill-effects of other industrially produced materials.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1412132857270-XLSANHCFWMN9LUB25A35/01+CSystem.jpg</image:loc>
      <image:title>Work - Tuesday Night Special</image:title>
      <image:caption>Chicken skeleton (Mammoth BBQ Chicken), blood, 24 carat gold leaf 2013</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1501184049502-AV4VOIKHLH8IOVJ4WHMK/LM3.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>The artwork demonstrates the transformative and generative forces at play as nature reclaims human-made structures. The piece is titled after one of many specific lichen found -  muralis - named after the aesthetic qualities inherent to the organism's growth cycle.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1535043015248-1W8O0LVIOBRHXBS11JOK/02.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>मिटटी सिटी | Mitti City (or City of Soil) is a collaborative public art project lead by Cole Swanson in Ramganj Bazaar, Jaipur, India. In association with The Open Space Society (TOSS), Uday-Waldorf Inspired School of Jaipur, and Contree, community members of various ages illuminated the biological activity on an historic rooftop in Jaipur’s old city.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1512582139468-ELIVA5SVUM6YVGA88JPK/6.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Colony is a study on the relationship between urban development, green-space construction, and animal colony habitation. This piece examines animal activity in Tommy Thompson Park including its massive population of double crested cormorants. A human-made space, the park hosts a highly intensified bird colony that has significant impacts on the area’s tree growth. Local researchers have worked tirelessly to introduce the colony to ground nesting sites, achieving notable success and averting plans to cull birds.</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Monument is the culmination of a five year process of collecting, pinning, and gilding insects found within and around domestic spaces. The use of gold draws attention to the beautiful and complex structures of the insect body - the veins in the wings, the textures of the thorax, the banding on the abdomen.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1548310461387-PRJ8A9ETJCZGS5XZILCR/4.jpg</image:loc>
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      <image:caption>Terraflora is based on previous projects conducted in Ilhabela, Brazil and Rajasthan, India wherein natural colours were used to illuminate the growth of bacteria, fungi, algae, and lichens upon human-made structures. In this iteration, the artwork evokes those natural processes of growth and deterioration that would befall the hotel if devoid of human intervention.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1565649347328-QYTU5GROPZNWBEND66MM/05.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Over time, the mineral rich paint will interact with the bacteria, fungi, lichens, mosses, and other organisms to influence new forms of growth and transform in appearance before being processed back into the earth below.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1645292138757-AZ5JHOKXEQ9E1RLYNKSF/07.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Whimsical imagery resulting from interactions between pigments and water forms the structure of the piece, gathering high in the room, evoking both the earth and the clouds above it.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1660066747027-4EGGFDOSKOZ19ZGIKMKN/06.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>This piece explores the complex issues around introduced species through a comparative examination of two bees of the same genus – Megachile rotundata (alfalfa leafcutter bees) and Megachile sculpturalis (giant resin bees). The artwork integrates and subverts multiple knowledge systems to unpack biases in favour of and against these organisms as they reflect value systems based on science, commerce, environment, and aesthetics.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1586013993467-7PQNXONSO2UYNA0EGUXR/01.jpg</image:loc>
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      <image:caption>The Hissing Folly looks at Durham Region’s ecological landscape and poses critical questions around human relationships with those deemed ‘invasive species’, specifically phragmites (European common reed). The project embodies the colonial, consumer, and cultural systems as agents for the passage of phragmites from Europe to North America, reflecting on the dissonance between the generative and destructive capacities of organisms mediated by human values and activities.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1564764471995-7A6ITKQK20OT2HU9GEAU/24.jpg</image:loc>
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      <image:caption>The exhibition examines the material connections between humans and cormorants as demonstrated by the birds’ collection of non-biodegradable waste materials. Devil’s Colony is a recreation of the nesting site and its dramatic shifts in ecological activity. The work transports patrons into the heart of the colony to bear witness to the complex lives of a burgeoning species at a critical sociocultural and political moment. Through this intimate, material encounter, Devil’s Colony attempts to promote curiosity and empathy to consider the manifold relationships we share with other agents in the natural world. Spit Spectre, C-print, 48” x 32”, 2019, documentation by Jamie McMillan</image:caption>
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      <image:title>Work</image:title>
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  </url>
  <url>
    <loc>http://www.coleswanson.org/urban</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-07-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221601973-BQWO0BC7CX4ET7V615IT/Black+Monkey+Claw.jpg</image:loc>
      <image:title>Kala Bandar Identikits - A large, metal claw</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 6"  2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221601973-BQWO0BC7CX4ET7V615IT/Black+Monkey+Claw.jpg</image:loc>
      <image:title>Kala Bandar Identikits - A large, metal claw</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 6"  2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221601483-E1GSQL2W8ONI4U198AFW/Black+Monkey+Cat.jpg</image:loc>
      <image:title>Kala Bandar Identikits - Transforming into a black cat</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 6"  2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221601100-02ICFBCX45JE67SVZJ7S/Black+Monkey+Bandages.jpg</image:loc>
      <image:title>Kala Bandar Identikits - A bandaged thing</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 6"  2012</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221602511-XTXUWC666GOXZBWUCOJR/Black+Monkey+Helmet.jpg</image:loc>
      <image:title>Kala Bandar Identikits - Wearing a motorcycle helmet</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 6"  2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221603356-98KOG7LFH3Y6DP7BYPCC/Black+Monkey+Motherboard.jpg</image:loc>
      <image:title>Kala Bandar Identikits - A cyborg with a motherboard</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 6"  2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221603709-OIIB08BZHFR7Z8ZUY40B/Black+Monkey+Springs.jpg</image:loc>
      <image:title>Kala Bandar Identikits - Springs on the feet for jumping</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 6"  2012  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1382221654356-HBSQR71RI0DXP2N9A6RL/Black+Monkey+Burqa.jpg</image:loc>
      <image:title>Kala Bandar Identikits - Cloaked in dark cloth</image:title>
      <image:caption>Opaque watercolour on wasli, 4" x 6"  2012  </image:caption>
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  <url>
    <loc>http://www.coleswanson.org/new-cover-page</loc>
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    <lastmod>2020-01-30</lastmod>
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    <loc>http://www.coleswanson.org/contact</loc>
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    <lastmod>2013-11-01</lastmod>
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  <url>
    <loc>http://www.coleswanson.org/news</loc>
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    <priority>0.75</priority>
    <lastmod>2025-09-17</lastmod>
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      <image:title>News</image:title>
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  <url>
    <loc>http://www.coleswanson.org/new-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-07-28</lastmod>
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      <image:title>Educator</image:title>
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      <image:title>Educator</image:title>
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  </url>
  <url>
    <loc>http://www.coleswanson.org/bio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-10</lastmod>
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      <image:title>Bio</image:title>
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  </url>
  <url>
    <loc>http://www.coleswanson.org/library</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1552775193077-WY98Z5WNU6UALHJI5FY2/Antennae%2Bcopy.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Matter Matters: Lecanora Muralis Swanson, Cole. Lecanora Muralis, Antennae: Journal of Nature in Visual Culture, No. 45. London, UK, 2018. www.antennae.org.uk/home/4594152034</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1618938838573-B1GHYD8INMXJ3KM4Y7JS/VE2.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Vegetal Entanglements III: The Empire and the Hissing Folly Swanson, Cole. The Empire and the Hissing Folly, Antennae: Journal of Nature in Visual Culture, No. 53. London, UK, 2021. www.antennae.org.uk/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1616701963503-ZTSCKOEDTGBQ1658P2J3/Hissing+Folly.jpeg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Cole Swanson: The Hissing Folly Doull, Darryn; Gregory, Helen; Saad, Sandy. Visual Arts Centre of Clarington, 2020. www.vac.ca</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1552770240962-PZB73XERJ1I0VBTXYLYB/Spec+Tax.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene. Aloi, Giovanni. Columbia University Press, New York, USA 2018. cup.columbia.edu/book/speculative-taxidermy/9780231180719</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/676e622b-77fc-436d-86c3-b8b55ce64c16/cover_issue_7_en_US.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Ecocene: Monuments &amp; Megachile Swanson, Cole. Monuments &amp; Megachile: Lessons from the Insect Graveyard, Ecocene: Cappadocia Journal of Environmental Humanities, 4 No.1, Cappadocia University, 2023. ecocene.kapadokya.edu.tr/index.php/ecocene</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1552770221483-1FZU014LVVNFWOZ4W0BN/CSwansonoutoftthestrong.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Cole Swanson: Out of the Strong, Something Sweet McLellan, Ashley; Owen, Dawn; Topdjian, Carolyne. Art Gallery of Guelph. Guelph, 2016. artgalleryofguelph.ca</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1552770267947-TJYM2F2FPQU60A6DCZ79/Couv-Billebaude.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Affronter: La Sixieme Extinction Billebaud Review No.13, Museé de la Chasse et de la Nature, Paris, France, 2018. www.chassenature.org/decouverte/revue-billebaude/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5262d831e4b0fe976f8d5ce9/1552770232385-5V6QUXE3OHQI1WLKQRA4/Glimmers+2.jpg</image:loc>
      <image:title>Library</image:title>
      <image:caption>Glimmers of the Radiant Real Jones, Ruth; Mogelonsky, Sam. Robert McLaughlin Art Gallery, Oshawa, 2018. rmg.on.ca | www.abcartbookscanada.com</image:caption>
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