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Cole Swanson

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Sacred Bone , latex paint on glass, Unilever Detergent Factory, 2017.  Believed by ancient Greeks and Romans to be the seat of the soul, the sacrum has been fashioned as an icon for the exhibition, a window through which the world outside of

He was a thing (left), Pastorale Bovinae (Day and Night , centre and right), and Sacred Bone (centre right).

Pastorale Bovinae (Night) , cattle horn, wood, steel, paint, and field recordings. This piece positions the listener as a bovine individual wherein multi-layered soundscapes of the cattle world emanates from the hollow horn crusts of a previously

A selection of abstractions in cattle bone char pigment ( Bone Black, right) appear as meditations on the offcuts of animal industries.

Pastorale Bovinae (Day), 2017 Daytime soundscapes of cattle fields provide listeners with punctuated auditory experiences of buzzing flies, crickets, grasshoppers, crows, far-off automobiles, overhead airplanes, and the wind.

He was a thing , Spray paint text installation on factory drum, sound installation (cattle lowing), 2017.  He was a thing beckons viewers to circumambulate an industrial drum, filled with remnant detergent material from the bygone days of t

EDIT, Expo for Design, Innovation, and Technology , Unilever Detergent Factory, Toronto, Ontario, 2017.

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Sacred Bone , latex paint on glass, Unilever Detergent Factory, 2017.  Believed by ancient Greeks and Romans to be the seat of the soul, the sacrum has been fashioned as an icon for the exhibition, a window through which the world outside of

He was a thing (left), Pastorale Bovinae (Day and Night , centre and right), and Sacred Bone (centre right).

Pastorale Bovinae (Night) , cattle horn, wood, steel, paint, and field recordings. This piece positions the listener as a bovine individual wherein multi-layered soundscapes of the cattle world emanates from the hollow horn crusts of a previously

A selection of abstractions in cattle bone char pigment ( Bone Black, right) appear as meditations on the offcuts of animal industries.

Pastorale Bovinae (Day), 2017 Daytime soundscapes of cattle fields provide listeners with punctuated auditory experiences of buzzing flies, crickets, grasshoppers, crows, far-off automobiles, overhead airplanes, and the wind.

He was a thing , Spray paint text installation on factory drum, sound installation (cattle lowing), 2017.  He was a thing beckons viewers to circumambulate an industrial drum, filled with remnant detergent material from the bygone days of t

EDIT, Expo for Design, Innovation, and Technology , Unilever Detergent Factory, Toronto, Ontario, 2017.

Cole Swanson acknowledges the support of the Ontario Arts Council, the Canada Council for the Arts, the Toronto Arts Council, and the Shastri Indo-Canadian Institute.